Two different drawings, done on two different sized drawing
pads (but both on acid free paper!), using different media, depicting two
different stopping points on the same orchard path in the New Canaan Nature
Center.
Effect of dark chalk in a landscape
Sunny Orchard by Paul Creedon, 2012. |
Softened light using graphite
A smaller, graphite lead drawing was done further down the
path, and the heavy shadow under the apple tree can be seen on the right hand
side. The trail continues toward Rt. 124 in the distance.
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At that point the shadow of the tree is directly to the right and the woods are still following along on the left, and the feel of bright sunlight is gone. I had reached this second vantage point on an overcast day, whereas I encountered the previous scene on a sunny afternoon. The focus shifts to the path and to the way down to the road. So I used a lighter lead pencil on a softer tone of paper to suggest the change of atmosphere. After I scanned the drawing I noticed the inadvertent cue at the end of the lane: the shadow between the bushes looks like a hand with a finger pointing to my destination.
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